LA CULTURA PANÓPTICA Y LOS GÉNEROS NEOTELEVISIVOS
This article is based on the premise that technologic development that society has reached today allows it to extend the panoptic tendency -initially architectonic and later photographic- to two TV genders: The hidden camera and mainly the reality show (if we use Big Brother as a paradigm). From thi...
Furkejuvvon:
| Váldodahkki: | |
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| Materiálatiipa: | Online |
| Giella: | spa |
| Almmustuhtton: |
Universidad de Costa Rica
2013
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| Fáttát: | |
| Liŋkkat: | https://revistas.ucr.ac.cr/index.php/sociales/article/view/9876 |
| Fáddágilkorat: |
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| Čoahkkáigeassu: | This article is based on the premise that technologic development that society has reached today allows it to extend the panoptic tendency -initially architectonic and later photographic- to two TV genders: The hidden camera and mainly the reality show (if we use Big Brother as a paradigm). From this moment, we can point out that the surveillance underlying this visual articulation ends up extrapolating to the spectacular structure. |
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