El baile de la loquera: lo carnavalesco en la práctica músico-bailable mosh y slam de las juventudes urbanas durante la década de 1990 en Costa Rica, el caso del ska
This article discusses the danceable music practice of “mosh” and “slam” as a form of subversive attitude for the urban youth, based on the carnival theory of Mijail Bajtin. In particular, proposes a transdisciplinary methodology based in the analysis of social discourse, discographic production and...
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| Formatua: | Online |
| Hizkuntza: | spa |
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CIICLA, Universidad de Costa Rica
2022
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| Sarrera elektronikoa: | https://revistas.ucr.ac.cr/index.php/intercambio/article/view/50498 |
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