LA CULTURA PANÓPTICA Y LOS GÉNEROS NEOTELEVISIVOS
This article is based on the premise that technologic development that society has reached today allows it to extend the panoptic tendency -initially architectonic and later photographic- to two TV genders: The hidden camera and mainly the reality show (if we use Big Brother as a paradigm). From thi...
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| Tác giả chính: | |
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| Định dạng: | Online |
| Ngôn ngữ: | spa |
| Được phát hành: |
Universidad de Costa Rica
2013
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| Những chủ đề: | |
| Truy cập trực tuyến: | https://revistas.ucr.ac.cr/index.php/sociales/article/view/9876 |
| Các nhãn: |
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| Tóm tắt: | This article is based on the premise that technologic development that society has reached today allows it to extend the panoptic tendency -initially architectonic and later photographic- to two TV genders: The hidden camera and mainly the reality show (if we use Big Brother as a paradigm). From this moment, we can point out that the surveillance underlying this visual articulation ends up extrapolating to the spectacular structure. |
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