LA CULTURA PANÓPTICA Y LOS GÉNEROS NEOTELEVISIVOS
This article is based on the premise that technologic development that society has reached today allows it to extend the panoptic tendency -initially architectonic and later photographic- to two TV genders: The hidden camera and mainly the reality show (if we use Big Brother as a paradigm). From thi...
Guardado en:
| Hovedforfatter: | |
|---|---|
| Format: | Online |
| Sprog: | spa |
| Udgivet: |
Universidad de Costa Rica
2013
|
| Fag: | |
| Online adgang: | https://revistas.ucr.ac.cr/index.php/sociales/article/view/9876 |
| Tags: |
Tilføj Tag
Ingen Tags, Vær først til at tagge denne postø!
|
| Summary: | This article is based on the premise that technologic development that society has reached today allows it to extend the panoptic tendency -initially architectonic and later photographic- to two TV genders: The hidden camera and mainly the reality show (if we use Big Brother as a paradigm). From this moment, we can point out that the surveillance underlying this visual articulation ends up extrapolating to the spectacular structure. |
|---|