LA CULTURA PANÓPTICA Y LOS GÉNEROS NEOTELEVISIVOS
This article is based on the premise that technologic development that society has reached today allows it to extend the panoptic tendency -initially architectonic and later photographic- to two TV genders: The hidden camera and mainly the reality show (if we use Big Brother as a paradigm). From thi...
محفوظ في:
| المؤلف الرئيسي: | |
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| التنسيق: | Online |
| اللغة: | spa |
| منشور في: |
Universidad de Costa Rica
2013
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| الموضوعات: | |
| الوصول للمادة أونلاين: | https://revistas.ucr.ac.cr/index.php/sociales/article/view/9876 |
| الوسوم: |
إضافة وسم
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| الملخص: | This article is based on the premise that technologic development that society has reached today allows it to extend the panoptic tendency -initially architectonic and later photographic- to two TV genders: The hidden camera and mainly the reality show (if we use Big Brother as a paradigm). From this moment, we can point out that the surveillance underlying this visual articulation ends up extrapolating to the spectacular structure. |
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