Desde/con/para el teatro de Títeres cubano: me sitúo, desobedezco, luego reeXXIsto
This article is part of the research that aims to question, based on qualitative documentary analysis, the notion of national identity with which Pelusín del Monte –character of the Cuban puppet theater– is indicated as a national icon, based on which, the statement that patrimonialized it was argue...
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フォーマット: | Online |
言語: | spa |
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CIICLA, Universidad de Costa Rica
2022
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オンライン・アクセス: | https://revistas.ucr.ac.cr/index.php/intercambio/article/view/52590 |
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